In a significant development within the entertainment industry, Bollywood actor Harshvardhan Rane has publicly announced his decision to opt out of the much-anticipated sequel to “Sanam Teri Kasam” if Pakistani actress Mawra Hocane is part of the cast. This decision follows Hocane’s controversial comments regarding India’s Operation Sindoor, labeling it a “cowardly attack.” Rane’s stance has ignited discussions on patriotism, artistic collaboration, and the responsibilities of public figures in times of geopolitical tension.
Background: Operation Sindoor and Mawra Hocane’s Controversial Remarks

On April 22, 2025, a tragic terrorist attack occurred in Pahalgam, Jammu & Kashmir, resulting in the loss of several innocent lives. In response, the Indian Armed Forces launched Operation Sindoor on May 7, 2025, targeting terrorist infrastructures in Pakistan and Pakistan-occupied Kashmir with 24 precision strikes across nine locations.
Following the operation, Mawra Hocane took to social media to express her views, stating:
“Strongly condemn India’s cowardly attack on Pakistan… Innocent civilians have lost their lives… May Allah protect us all… May sense prevail… Ya Allah ho Ya Hafizo.”
Her comments were met with widespread criticism in India, with many perceiving them as insensitive and misinformed, especially considering the context of the retaliatory strikes against terrorism.
Harshvardhan Rane’s Response and Decision

Harshvardhan Rane, who starred opposite Hocane in the 2016 romantic drama “Sanam Teri Kasam,” responded to her remarks by sharing a statement on his Instagram story:
“While I am grateful for the experience, however, as things stand, and after reading the direct comments made about my country, I have made a decision to respectfully decline to be a part of ‘Sanam Teri Kasam Part 2’ if there is any possibility of the previous cast being repeated.”
He further elaborated:
“I respect all artists and humans of this country, that country, Kenya, and even Mars, but this kind of derogatory remarks about my country by anyone is unpardonable. Am okay with losing out on followers on Instagram but won’t allow anyone to walk over the pride and upbringing. Standing by your country is good, but disrespectful, hateful remarks about another country are not.”
Rane’s principled stand has been lauded by many fans and industry peers, who appreciate his commitment to national pride and integrity.
Implications for ‘Sanam Teri Kasam 2’
The original “Sanam Teri Kasam” film, released in 2016, marked the Bollywood debut of both Harshvardhan Rane and Mawra Hocane. While the film had a modest performance during its initial release, it gained significant popularity upon its re-release in 2025, grossing approximately ₹41 crore and becoming one of the highest-grossing re-released Indian films.
With Rane’s withdrawal from the sequel, the future of “Sanam Teri Kasam 2” remains uncertain. There have been speculations about casting a new female lead, with names like Shraddha Kapoor being considered, but no official announcements have been made.
Broader Industry Reactions and Policies

The All Indian Cine Workers Association (AICWA) has reiterated its stance on banning Pakistani artists from working in India, emphasizing the need for solidarity and national interest in the entertainment industry. This policy has been a point of contention, balancing artistic collaboration with geopolitical sensitivities.
Rane’s decision adds to the ongoing discourse on the responsibilities of artists and public figures in times of national crisis. It underscores the importance of aligning personal and professional choices with national sentiments and the potential consequences of public statements on international relations.
Conclusion
Harshvardhan Rane’s refusal to participate in “Sanam Teri Kasam 2” alongside Mawra Hocane highlights the intricate interplay between art, politics, and personal convictions. As the entertainment industry continues to navigate these complex dynamics, the actions and decisions of its members will undoubtedly shape its future trajectory.
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